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Where to start with this finale.
As finales go, I would say this one isn’t going down in the hall of fame, but still managed to be a fairly entertaining (and jam packed!) hour of television. The show has definitely evolved in its ten episodes; taking a turn away from the subtlety of, say, “Mad Men” for the full-on soapy-nature “Nashville” somewhere in there. Which all culminates, sort of, in this finale. Guns are brandished about, passionate love-making sessions fly by (save some montage for the rest of us, Noah), and no one is happy about most things in their life.
When I was taking notes for this post, I found a lot more of my notes were abrupt things that would normally be jotted down in the “additional thoughts” bullet points following an article that discussed a bigger aspect of the episode. Which is probably where this finale fails to feel like a finale: it’s got way too much plot and very little answers to back it up. Sometimes that makes the questions fun—now that Noah is arrested and we’ve seen that look between him and Allison before she answers the door for the police, I’m a lot more interested in learning what’s happening in the time between these plot lines. But in other ways that variation in tone can make for a scatterbrained episode of TV, and when that episode happens to be your finale it can create some problems.
This episode feels like the capper to a whole different breed of season, which until now has seemed to only casually dabbled into the frenetic pacing of primetime soaps. An earlier episode might’ve taken the time to explore or at least observe Allison in her new sense of serenity that she’s found at her mother’s hippie camp. It would splash around in the fact that she’s now on great terms with Athena, but by the time she’s back to Cole she brushes off her mother as “the same.”
Easily one of the way the show has changed most in how it handles its perspective-shifting tool, which in the scenes at the ranch is the most jarring it’s ever been in this episode. The explanations I’ve read from the creator haven’t fully satisfied my craving for justification. I’m all for exploring how a tense and stressful situation could lead to unreliable memories, but here I’m prone to think there’s a bigger, longer con being played on us as an audience, because there’s no way you straight up disagree of the cause, location, players, etc. that much. But at this point in time I have no idea what they would be covering up with a trick like that.
It’s a shame too, because Joshua Jackson was really acting his ass off in his monologue. Cole’s been an interesting slow-boil this season; easily the member of a couple we know and see the least about. He also seems to be one of the only people in the entire universe of “The Affair” who still believe in loving, happy marriages. From Noah’s agent to Noah to Helen to Helen’s parents, there’s so much pessimism of people who seemed to make calculated choices with their marriage, but Jackson really sells that Cole and Allison were very happily in love and married for that reason.
And where will he be next season? Where will anyone be next season, really? I guess we’ll now be dealing with flash forwards where Noah is undergoing some sort of legal processing (court? prolonged stint in jail?), and as interested as I am in that plot line I do wonder whether the show will try to return to its roots—here being the way Allison and Noah’s relationship has created a ripple effect across the lives of so many people—now that its ironed out the first season. That plot line would fit into Allison’s explanation to Detective Jefferies that whatever wedding they were at was because it’s a tight community, despite whatever animosity they may have.
- I don’t know why it makes me so excited now that we know Allison is on whatever Noah is hiding but it does. She’s been so good this whole season, I’m intrigued to see how they justify this.
- Please don’t let it be a “we’re so hopelessly in love I’d do anything for you baby” reason.
- Are all the men in this world scumbags, or just the one Noah attracts? I feel like one way “The Affair” writers can grow in season 2 is by making the conversation between men not so heavy-handed about their marital strife.
- Maura Tierney, bringing it as per uzghe this week. Here she’s in a confusingly believable scene where Noah is shocked Helen is even considering divorce proceedings (four months after he moved out because he told her he was in love with someone else) and yet still lets her beg him to return to their house.
- I’d be interested to see more from Noah and Helen’s oldest son, who clearly has a solid grasp on the emotions running rampant through his household, even if his parents don’t.
- Whitney is consistently the perfect 17-year-old who honestly can’t see that a 30-year-old sleeping with her is a red flag, and then takes it out on those around her.
- In Noah’s version of events both Helen and Allison are in white, with Allison wearing a high neckline and Whitney wearing a lower cut. But in Allison’s her and Helen are in more muddy colors, and Whitney is practically dressed like a catholic school girl.
- Well guys, we did it! I hope these have been as much fun for you as they have for me. I’ll be back with more when season 2 hits, and hopefully a show or two in between now and then.