Luther’s Legacy

Luther is less of a TV show and more of a comic book.

That’s not necessarily a bad thing. It’s got all the pulpy sensibility of a comic, the sort of haphazard violence and motivation that makes for thrilling panels. Between its elegant direction and its surprisingly eye-popping cinematography, it almost seems like it’s already leaping out of a page. 1920Or vice-versa: The show could’ve been easily adapted into a gritty, complex antihero graphic novel, without much changing the characters.

The show’s attempts to frame Luther, its titular hero, as the sole protagonist always seemed to fall a bit short. Both Luther and Luther crackled best when Alice was involved, and its side characters always seemed to be bursting at the seams to do more, thanks largely to the actors. Removing Alice—or at least downplaying her role in Luther’s life—left the show limp, exposing more cracks than foundation. Its second season never managed to quite earn the Luther saves the teen hooker with a heart of gold emotion it wanted to. The third, wrapped itself around and around trying to give Luther a proper (but not too high) wall to climb. And the fourth—well, the fourth didn’t have Alice did it? It was merely left to examine the hole she carved in Luther’s life, and this show is best when it isn’t examined too closely. luther-idris-elba-ruth-wilson.jpg

Because as a TV show it could never quite make the connections it needed to. The show is ultimately saved thanks to its cast of captivating player, obviously and notably including Idris Elba, who imbues Luther with the weight of the world and an aloofness that is seldom matched in antiheroes.

But the writing was never quite up to snuff. Luther wasn’t as interested in the relationships of it all as it was in the way the show and its players met up with Luther. Alice was the only one who consistently felt like a good sounding board for Luther, but the show couldn’t keep up things to do with her without going too big. Without any sort of receiving outlet, there’s no where for our favorite London cop to get a good buzz. It leaves a viewer thinking that the crackle of Luther was more akin to that of House of Cards than The Wire: All sizzle, and no spark.

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