“To women the possibility of not feeling wholly responsible for their body is a fantasy unto itself.”

On Scarlett Johansson’s evolution through the years, for Bright Wall/Dark Room’s Profiles: 

The work of Ghost in the Shell, as well as Johansson’s body of work, often forces the viewer to confront what they are projecting onto women’s bodies. Both Major and Johansson have deliberately constructed images, but they also both play with and destroy that very construction. Cyborgs afford the possibility to take all the militarism and patriarchy that’s been shoved down our throats and truly subvert it. Their very existence transgresses all the established boundaries we have for human nature, and yet their consciousness defines it. And Johansson has similarly proved herself as an actress capable of loosening the grips of reality and society in order to expose them.

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