GLOW Season 2
I always liked GLOW; I found it winning, and complicated in ways that most shows don’t let their women characters be. But its first season had some issues that I wouldn’t begrudge people for disliking — it had a diverse ensemble, but didn’t care to use much of it, for starters.
But season 2 — man, season 2 blew me away. What an exquisite way to expand on the concept of the first season, present two separate and totally fair conceptions of a coming out story, building and broadening the friendship at the core of it, expertly placing clues and pacing itself for the end of the season. This is a show to watch, more subversive in its portrayal of female life than something like The Handmaid’s Tale. Plus it’s got a truly kickin’ soundtrack.
I am not the sort of person who ascribes to the philosophy that a horror movie has to be scary, but if I was Hereditary would still hit the mark. The first 3/4 play out like an atmospheric stretching rack, until the final act really drives it home. It’s the sort of movie that’s impossible to market without audiences being familiar with it, even though it isn’t all that unfamiliar from horror movie touchstones. It’s just that the ambience is so enveloping, the execution so wholly authentic, it’s impossible to get the message across until the movie’s been seen.
But after you’ve seen it? Well, the dark of your bedroom will never be the same again.
God’s Favorite Customer – Father John Misty
While last month (and a little of this month) is still dominated by Everything Is Love, I somehow missed the release of the latest FJM. Where before I had been kind of hot and cold on the folk star, I’m now enrapt by his crooning, which seems to covers everything from love songs to comedy pieces.
but the Youtube song of the month? That’s Isakov all the way, baby.